still alive

For those of you who know me as "Charles from the jungle" ....

Well, yeah, that is still alive.




Straits Times article, 3 months ago.


ジャングル団はいまだ活動しています。
団じゃないけど。
💮ニーリボヴィッツとかからギブミーマネーしてる最中です。

ケへへへ。我ら妖怪団！
とかじゃないからね。

when sh$t is fuck@d up

It's hard to tell how color works unless you see it happening.

Sometimes, we fuFck things up.
Sometimes, that color on that corner is off.
Sometimes, the whole range of spectrum is just off.





Sometimes, life gets complicated and twisted.
It takes a lot to fix it.

It dwindles and cross turns.
Like that green getting in your way.

So this is how it look when shit is just fusked up.

There's always order somehow, and when you don't know what's 'right' or 'wrong', follow whatever that looks better/beauty ;).
And if you don't know what's beautiful... step out and look at nature.

tricolour

When I was a teenager, I saw this movie that blew my mind.
Tricolor.

It was a three-part movie on love.
It's a french film, but the director isn't french.

It's a classic. You know what I'm talking about.
Red White and Blue.

Red blew my mind.
The color red. So innate. Deepest colour, I swear.

Theresa Croft, 2015

LA portrait.
I gotta rework on this..

just posting.

may of shots here aren't done, its a blog. relax.

MONEY SHOT

Industry is a sly bitch.

"Money shot."

These are my money shots from the beach series.

the new new new new thing

editing part

Crispy.

I like crispy lighting. It's so divine.
It constantly reminds me of sunlight.

I got some crisp.

Lifestyle, portrait, enviro ports, fashion, archi, commercial... all combined should equal to Art.
That's the attempt on this ghetto fabulous photo.

This is my new style.

Clich'ay

Black and White can be redundant.
There's only subject, motion and topic.

"That's so cliche" is like saying "that's so classique"

Whenever there ain't much to do, you can shoot cliche.

(not so finalized)

(not so finalized)

cebu, ph

nada

i have nothing to post at the moment.

I'm painting my mom's restaurant's entrance area, cuz it looked like SHIT.

Mommy said to me with sigh.

"Britney came."

As spears were thrown, she moaned with laughter out of sigh.

"So the Japanese TV called us immediately. Somebody called the @#$% media."

Mom's restaurant looks like shit from the outside, but it's been a hideout for many people.

"And C$lso poured this concrete over, it looks like #$%***."

CXlso has been working forever. He was the manager of the infamous Sushi on Sunset.

Restaurant is a hard business.

When I was a teenager, I worked for a while and noticed it's quite tough.

So before we get any more funny comments on Yelp about how shitty it looks,

Momma told me to paint some butterflies.

being so portrait

I decided to take pictures of people, like, again.

What I think is, everyone can look 'good'.

I'll prove you attitude.

Some people rock like living the life rocking it. Who knows what they are doing, what they will do, what they can do. It's more simple, like, "are you rocking it?"

It ;)

another portrait

Happy holidays. 

I photographed Naomi last month. 

I was not sure of this photo. Her hair.........................

I no longer grow boobs or erase moustache. 

I leave most of it all there. 

Over here, her skin is 100% raw fresh straight out from the pixel catcher. 

Sure, darkroom can change stuff. But take a look. 

It's her natural skin. No retouch. 

Naomi Sundberg, 2015

実は、日本からのアクセスが多いこのブログ。
ナオミさんが検索にヒットするからです。

申し訳ない。こんなブログで。
申し訳ない。ググって何か違うものを期待していたんだろう？

ファ💮ク。アイムソーソリー。

まぁ寄ってきなさい。アングラとかに興味はないかい？


I'm presenting my layers cuz I'm a geek.

Layering is simple because I put all my layers in multiply, screen and soft light.
I change all RGB on all my 3 curves (dodging, burning and contrast layers) so that I can tune color and brightness at the same time. With these 3 layers at 3 different blend modes, you can control all 3 axis of color; hue, tone and saturation.
After I mask, I basically cut time and effort by 9 times approximately.
My soft-light neutral layer is for detailing. ("Layer 1")

That's all it should take when everything goes well. ;)

10K

自分で埋めた地雷を踏む写真家。
ブログ１万ヒットおめでとう！

一万人目は！！！ボク．．．。

き、記念にスクリーンキャプチャしたよ。。。。


Hit 10K!!!


thanks thanks.

I hit 10k.

"I" got the 10k.
That's why I was able to take that 10k picture.

ohh nooo....

Thanks to the people who's been hitting me.
It beats me with joy ;)

www.charlesosawa.com

soon

I'm into old stuff.
Past haunts me.
I'm afraid of future(/death).

   


There'a band that's coming back from the dead /jk called the Yen Town Band.
They were featured in a Japanese film directed by Shunji Iwai, "Swallowtail", a story of yen-tauns at yen-town.

Power of photography was at its best when the time was 90's.
The film's power of photography made me think of pursuing film when I was a kid.
Swallowtail was shot on a shaky handheld video-camcorder.
Although, everything was amazing. Shit created gold.

Power of Photography.

portrait of city

I came to remember that past memories are unforgettable. 

You remember stuff, like its written on your palms. 

Sure, its wrong sometimes. 

So you take a photo. 

You look back and see what you've taken. 

Like you take it all like its all yours. 

Sure, it's your life, it's yours. 

Your picture that is. 

Life is too bright sometimes for anyone or me. 

It's like looking in to the sun at night. 

You can't figure it out all the time. 

Take a picture, look later. 

;)

time

I do black and white photography when I feel classic.
It makes it look like 1915 when its 2015.

I always capture something odd, because I celebrate uniqueness. Or rather say imperfection.

posting curves.

This is photoshop 401.

What? You thought you graduated?


Please use this technique to recreate color that is specific.

I use my curve tool to its maximum limit.
Basically, if you have a car, you full speed max to the pedal. Non stop.

The first concept to understand when using curve tool is to use all adjustments.

There are 3 adjustments in curve tool.
Step 1 is to get out of normal.

don't be Normal!

know what you're choosing

Darken, Multiply, Color Burn... all those clustered are to darken pixels.
From Lighten to Lighter Color are lightening effects.
Overlay all the way to Hard Mix deals with contrast.
Rest is yours to explore.


Step 2 is the curve itself.
There are RGB, Red, Green and Blue channel.

changes are very delicate, because layer is no longer 'Normal'.

adjustment requires accuracy.  

with combined 4 layers,

changes no longer seem to be small.

The key is to use all 3 colors to adjust. 

While RGB channel seems perfect that controls all, it is easy for colors to add noise and/or reveal undesired color. 

notice the green between red and blue.

it is bridging the two, and thus therefore adjustment was needed.

The R,G and B-channel controls will balance the effect of the curve even further, resulting in much controlled color in your photography.
Consider this minute control as a support to your daily curve tooling.


Step 3 is masking. You decide where it should go. ;))

pixel rule.

So, eff'ing the pixel is a term used in a small part of the retouch community when involved in journal photography.

You'd think.

Why the eFF, would journal photo need a retoucher?

Retouchers are specialized creatures. In the photo industry, they are kind'a like-a wizard that can do magic (breast enhancements to nose jobs!), or breaking rules.

In journal photo, u cannot put an extra arm on a person's head. You cannot fake a man being slaughtered and cannot black out like really black out some parts in the photo.

So, the industry rule in digital medium goes to "don't fuckkaround wit the pixels."

You cannot alter the physical (oxymoron lol) pixel in any way, period.
Editing can go only as far to what darkroom could have done. Photo darkroom. 

Today that can mean a lot.
We have the capability to zoom to 800% and retouch pixel by pixel.
RGB channels can be edited at pixel level. This was big.
That 1 pixel that's magically green is illegal to blow out using j-tool or the stamp tool, but it can be legally adjusted manually by switching your RGB parameters.

When dealt with 40-years old photos (i.e.: Elvis portraits), this pixel rule gave new light.
Evident color noises from decade old photos were adjusted so it be nicer looking. legally.

industry term

Black and White is always about contrast.

It's easy to add contrast these days.
But it's hard to preserve beauty.

Top image has no pixel f'ucked around (*for skin brightening). This is a strict 'industry term' like the infamous Fxck-me-light. 

The term Fuch-me-light, according to Pulitzer award photographer David Turnley was invented by the National Geographics photographers.
It was always the shots those were shot during the magic-hour (twilight hour, during dusk or dawn: +-30min. of sunset/sunrise) that made to the cover, so-to-speak.
So when the question of "when did you take this photo?" became routine to answer "during dusk" or "during sunset", it allegedly evolved to "oh during sunset/rise when the light was like F8CK ME" then became to "I shot these during fvck-me-light."

Supposedly conversation in the industry became casual as editors asking "oh, $uck-me-light?"

and the response was,

"uh-huh."

fuuck me...

Pshop 301

In reality (industry/jobsite), you learn courses 101-303 at-the-same-time.

When you press (alt/opt. + click the 'create a new layer' button) you get the "New Layer" box.
There are more ways to get to this 'box'. Ask google.

Copy what I clicked.
My ex-NY photographer friend Taichi showed me this trick.

I created this 'Soft Light-neutral' layer to trick the computer. 

This is how it works. 

Layer (Neutral + Contrast = Nothing happens) + (burn'-n'-dodge tool) = Super-safe light-data quick Burn-n-Dodge layer that does not affect the pixel. It's an overcast. 

(**There are advantages and dis-advantages using any tricks. Please b smart)

Burn and Dodge tool affects pixel itself. This trick is to avoid direct interaction between the two. This trick is standard in some part of the industry. 

The advantage of Burn and Dodge tool is standard in retouching skins. 

It's the most delicate tool that has the versatility and ideal effect over pixels when recreating beautiful skin. 

 right image is brightened

compare and contrast

this is about 60-80% done

Usually, you would zoom to 400% and be using a wacom pen, at brush-size aligned to skin's each creases with strength 2-5% for burning, 5-10% for dodging ("It always burns faster").

That is for high-standard fashion and it takes x8-time to complete. 

For I-Don't-need-to-Cyborg photos, I only zoom to 200%, and would be using watevs that makes him look good. 

Photoshop 201

Did I give 101?

"My teacher said, it's all about the 'masking'."

Said the girl...

I'll mask you soft and hard. Get you excited, because it's twisted. That's Photoshop 101.

Photoshop 201 is putting layer on layer.
202 is putting layer on a layer on a layer.

Wow.

What does that mean?...

Let's explore...

I made two layers here. Screen and Multiply.
both layers are untweaked.
ON: Opacity - 100%

This is Marc Iserlis.
He is an aspiring young actor hopping around NY and Asia and stuff like that.

I put my 'Curve' on 'Screen'.
(My Curve layer "screeminator" is switched to 'Screen' whereas its usually 'Normal'.)
((I usually use 3 layers. Darkening, lightening and contrast. as standard...))
Then I do changes on the 'Curve' tool.

I control the wave so that 'Curve Tool' makes sense. (bottom image: I put 2 control points on my curve tool wave thingy)
You're supposed to make curves, "Duh, get it?" Right, I got it.
...
..
.

Marc Iserlis

step 3 is precision and control. 

The third layer is 'Masking'.

You select what where when why who and mask the shit out of it. Make it happen.



...NEXT...

bw and colour

Marc Iserlis, 2015

Marc Iserlis, 2015

I'm doing portraits to expand my criteria. 

People need basic shots, so I give basic shots. 

I am posting my first "cutting-the-mountain-curve". 

My effort to balancing the skin-tone ended in shaving off some edge. Or perhaps de-contrasted some (skin)tone. 

color contrast

You can create contrast between presented colors by adding contrast in Saturation.

Color is 3-dimensional.
Hue, Saturation and Tone. Tone is Luminance.

Lets cut the complicated talk #crap and visually understand things.

The coordination of the points presented in the graph above tells you that it basically looks like wave.
This one will make Yellow color more 'pop' because the dudes next to him are shorter.

Then the BPM is the side gangs that also pops out head high.

That's contrast.

The deviation between Aqua and Blue dictates the emphasized contrast of Blue due to ooh jee sleeping time has approached........

good night.

edits

I like to create waves .

It's not like i got like mountain and wave fetishes, but it would be nice to be there.

We all like nature n it finds us.

not that great

i didn't even photoshop it.

this shot is not that great.

her eyes aren't captured. (all whites. . . )

That's really the only reason.



otherwise, it could've been something.

market shot

Im not so sure but I'm done.

I may change in the future...

testing bw

1st edit. 

its not done.

I've converted this image to BW to see if I can see something new.

Cutting down information (color) to see some more.

That's Black and White.


Ansel Adams was the man who mastered Black and White back in the days.
He created this system that almost everyone followed. Nowdays it's a trend to break the system.
The system was called the Zone System.

Zone System is a system of Black and White photography that are expressed through the full spectrum of grayscale.

What the fu@k that mean?

It means two things.
1- It uses ALL grays between black and white.
2- I don't know why but 100% white (overblown) is looked down with a frown.

2 things happened in photography.
Daido Moriyama and color photography.

First, color photography advanced and Ansel later said he shudda' explored color more.
Second, Daido Moriyama broke the rule and made 100% (white or black) hot as f.

It is only now, that hot photographers like Jacob Aue Sobol (Magnum) started homaging Moriyama that made breaking rules prestigious.

Breaking the Zone became one of the hottest standard in photo.

People say "that grudgy contrast look" not knowing what is what.
Paolo Pellegrin had that look before Jacob is not the know in the knows.
It's "that grudgy contrast look" and the name "Daido Moriyama" was all that mattered.

Because people do not know what push two stops on a T-Max 3200 means anymore.
Everything is now Click, Post and Like.

So, the art of 1-tone (BnW) is that, information is cut down.
Contrast of presented information results as a result.
It means we focus on different things, like shapes. Figures and symbols.
Because there are no more pretty colors to distract, so then the subject speaks.

And contrasts add more attention to subject captured.
So Daido learnt all from Eikoh Hosoe, an unmatchable figure in Japan's Black and White photography.

And we are learning to lose all from click-post-likes.

Or not... as we transcend, sharing informations.
Such become influences; cultures shared among humanity.
Like, William Klein being Daido's influence in photography too...

street photo

I got some B+W.